NYT > Movies
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‘The Interview’ Podcast: Anne Hathaway
04/27/24 - 02:02AM MST
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Five Horror Movies to Stream Now
04/26/24 - 08:00AM MST
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‘Challengers’ Review: Game, Set, Love Matches
04/26/24 - 05:50AM MST
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Watch Mike Faist and Josh O’Connor Spar Over Churros in ‘Challengers’
04/26/24 - 04:00AM MST
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‘Challengers’ | Anatomy of a Scene
04/26/24 - 03:50AM MST
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‘Uncropped’ Documentary Celebrates James Hamilton’s Photos
04/26/24 - 02:04AM MST
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‘The Royal Hotel,’ ‘Zola’ and More Streaming Gems
04/26/24 - 02:03AM MST
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8 New Movies Our Critics Are Talking About This Week
04/26/24 - 02:03AM MST
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‘Nowhere Special’ Review: Old Bonds, New Family
04/25/24 - 05:28AM MST
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‘Infested’ Review: Bugging Out
04/25/24 - 04:00AM MST
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‘Unsung Hero’ Review: Music Dedicated to the One They Love
04/25/24 - 02:04AM MST
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‘Terrestrial Verses’ Review: Crossing Lines in Iran
04/25/24 - 02:04AM MST
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‘Humane’ Review: An Ethical Crisis and a Dinner Party
04/25/24 - 02:04AM MST
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‘The Feeling’ Review: Fifty Shades of Apathy
04/25/24 - 02:04AM MST
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‘Boy Kills World’ Review: A Wide-Eyed Assassin
04/25/24 - 02:04AM MST
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Zendaya, Luca Guadagnino, Josh O’Connor and Mike Faist on ‘Challengers’
04/25/24 - 02:03AM MST
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Review: Steve Carell as the 50-Year-Old Loser in a Comic ‘Uncle Vanya’
04/24/24 - 06:00PM MST
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Video Shows Crash That Injured Crew Members of ‘The Pickup’
04/24/24 - 03:01PM MST
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What Directors Love About Nicole Kidman
04/24/24 - 02:04AM MST
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‘Mary Jane’ Review: When Parenting Means Intensive Care
04/23/24 - 06:22PM MST
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Sydney Sweeney and Glen Powell on How ‘Anyone but You’ Beat the Rom-Com Odds
04/23/24 - 02:04AM MST
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Lourdes Portillo, Oscar-Nominated Documentary Filmmaker, Dies at 80
04/21/24 - 09:07PM MST
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‘Cabaret’ Review: Dancing, and Screaming, at the End of the World
04/21/24 - 06:30PM MST
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Alfred Molina on the Museum He Never Misses When He’s in New York
04/20/24 - 02:00AM MST
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With ‘The Amityville Horror,’ One House. Many Haunts.
04/20/24 - 02:00AM MST
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Five Action Movies to Stream Now
04/19/24 - 08:00AM MST
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8 New Movies Our Critics Are Talking About This Week
04/19/24 - 04:58AM MST
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Ken Loach: Championing the Strugglers and Stragglers
04/19/24 - 02:04AM MST
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4 Documentaries That Explore How Families Cope With Dementia
04/19/24 - 02:03AM MST
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‘Rebel Moon — Part Two: The Scargiver’ Review: Of Stars and Wars
04/19/24 - 12:00AM MST
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‘The Ministry of Ungentlemanly Warfare’ Review: War, Undemanding
04/18/24 - 10:17AM MST
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‘Stress Positions’ Review: It’s Giving Pandemonium
04/18/24 - 05:10AM MST
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‘Blood for Dust’ Review: Dire Straits
04/18/24 - 04:00AM MST
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‘Abigail’ Review: Horror by Numbers
04/18/24 - 03:08AM MST
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‘We Grown Now’ Review: A Child’s Eye View
04/18/24 - 02:03AM MST
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‘Egoist’ Review: A Romance With a Twist
04/18/24 - 02:03AM MST
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‘The Wiz’ Review: A Black Classic Returns to Broadway
04/17/24 - 08:00PM MST
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Tribeca Festival’s 2024 Lineup Features Films With the Brat Pack, Lily Gladstone
04/17/24 - 08:42AM MST
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Denis Villeneuve Answers All Your ‘Dune: Part Two’ Questions
04/17/24 - 02:03AM MST
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Participant, Maker of Films With Social Conscience, Calls It Quits
04/16/24 - 11:26AM MST
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The Beatles’ ‘Let It Be’ Film Will Stream After 54 Years on Disney+
04/16/24 - 06:00AM MST
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‘Man’s Castle’: Free Love, Hard Times
04/16/24 - 04:00AM MST
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How They Pulled Off the Ending to ‘Civil War’
04/16/24 - 02:03AM MST
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‘The Stranger’ Review: Somewhere Over the Freeway
04/15/24 - 02:16PM MST
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Prince Harry Hits the Polo Field in Front of Netflix Cameras
04/14/24 - 03:20PM MST
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‘Civil War’ Is No. 1 at Box Office
04/14/24 - 09:31AM MST
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Queer Women Behaving Badly: These Movies Scrap the Coming-Out Story
04/14/24 - 02:04AM MST
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Netflix’s New Film Strategy: More About the Audience, Less About Auteurs
04/14/24 - 02:02AM MST